Why is the Melody of Movement 7 of Awake

Chorale Melodies used in Bach's Vocal Works Wachet auf, ruft uns die Stimme

Melody & Text | Use of the CM by Bach | Use of the CM by other composers

Melody & Text:

"Wachet auf, ruft uns die Stimme" (literally: Awake, the voice is calling us) is a Lutheran hymn written in German by Philipp Nicolai, first published in 1599 together with "Wie schön leuchtet der Morgenstern". It appears in German hymnals and in several English hymnals in translations such as "Wake, Awake, for Night Is Flying" (Catherine Winkworth, 1858), "Wake, O wake! with tidings thrilling" (Francis Crawford Burkitt, 1906), and "Up! Awake! From Highest Steeple" (George Ratcliffe Woodward, 1908). The hymn is known as the foundation of J.S. Bach's chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, as well as being the foundation of settings by other composers. P. Nicolai wrote the hymn in 1598, a time when the plague had hit Unnawhere he lived as a preacher after studies in theology at the University of Wittenberg, for six months. The text is based on the Parable of the Ten Virgins (Matthew 25:1-13). Nicolai refers to other biblical ideas, such as from the Revelation the mentioning of marriage (Revelation 19:6-9) and the twelve gates, every one of pearl (Revelation 21:21), and from the First Letter to the Corinthians the phrase "eye hath not seen, nor ear heard" (1 Corinthians 2:9). Portions of the melody are similar to the older hymn tune In dulci jubilo ("In sweet rejoicing") and to Silberweise ("Silver Air") by Hans Sachs. In the first publication in FrewdenSpiegel deß ewigen Lebens ("Mirror of Joy of the Life Everlasting"), the text was introduced: "Ein anders von der Stimm zu Mitternacht / vnd von den klugen Jungfrauwen / die jhrem himmlischen Bräutigam begegnen / Matth. 25. / D. Philippus Nicolai." (Another [call] of the voice at midnight and of the wise maidens who meet their celestial Bridegroom / Matthew 25 / D. Philippus Nicolai). The author wrote in his preface, dated August 10, 1598: "Day by day I wrote out my meditations, found myself, thank God, wonderfully well, comforted in heart, joyful in spirit, and truly content; gave to my manuscript the name and title of a Mirror of Joy... to leave behind me (if God should call me from this world) as a token of my peaceful, joyful, Christian departure, or (if God should spare me in health) to comfort other sufferers whom He should also visit with the pestilence." P. Nicolai's former student, Wilhelm Ernst, Count of Waldeck, had died of the plague at the age of 15, and P. Nicolai used the initials of "Graf zu Waldeck" in reverse order as an acrostic to begin the three stanzas: "Wachet auf", "Zion hört die Wächter singen", "Gloria sei dir gesungen". Translations of the Hymn into English are noted in the Dictionary of Hymnology, pp. 806, 1613, 1722. According to the Hymnary web site, the hymn appears in 68 hymnals in English. In 1908, it was reported that "the favourite rendering" was using the title "Wake, Awake, for Night is Flying". It was either that of Catherine Winkworth or the one compiled by William Cooke, which is based on Catherine Winkworth's and other translations with additions by Cooke himself. Source: Wikipedia (September 22, 2018) with additions by Aryeh Oron (October 2018)

J.S. Bach based his chorale cantata Wachet auf, ruft uns die Stimme, BWV 140, on the hymn and derived one of the Schübler Chorales, BWV 645, from the cantata's central movement.

Melody: Zahn 8405 Composer: Philipp Nicolai (1599), after Hans Sachs (1513)

Text: Wachet auf, ruft uns die Stimme (NLBG 315 P 819; EG 147) Author: Philipp Nicolai (1599

Hymnal versions Bach may have known:

First publication OF Wachet auf, ruft uns die Stimme in Nicolai's 1599 Frewdenspiegel deß ewigen Lebens

Melody & text of Wachet auf, ruft uns die Stimme (NLGB 315) from the Neu Leipziger Gesangbuch (1682), pp 819-822

Use of the Chorale Melody by Bach:

Text: Wachet auf, ruft uns die Stimme

Chorus Wachet Auf (Mvt. 1) from Cantata BWV 140 (1731) (verse 1)

Form. Choral Fantasia (Corno, 2 Ob., Taille1, Strings (including Violino piccolo), Continuo).

Chorale Zion hört die Wächter singen (Mvt. 4) from Cantata BWV 140 (1731) (verse 2)

Form. Unison Choral for Tenor (Vn. I and II and Viola in unison, Continuo)

Chorale �Gloria sei dir gesungen� (Mvt. 7) from Cantata BWV 140 (1731) (verse 3) Ref: RE 179; Br 179; Birnstiel 185; Dietel 17; AmB 46II p.97

Form. Simple (Corno, 2 Ob., Taille, Strings (including Violino piccolo), Continuo). Choralgesange, No. 329.

Untexted:

Chorale Prelude Wachet auf, ruft uns die Stimme, BWV 645 (1747-1748) (Schübler)

An arrangement of Mvt. 4 of Cantata BWV 140, the Tenor Unison Choral, �Zion hört die Wachter singen3.� In the Cantata the melody is sung by the Tenor or Tenors in unison. In the Prelude it is assigned to an eight-foot stop on the �sinistra� manual.

Use of the Chorale Melody by other composers:

The beginning of the melody, three notes of the triad, have been used in bell tuning. Several composers were inspired to vocal and instrumental settings Dietrich Buxtehude composed two cantatas based on the hymn, BuxWV 100 and BuxWV 101. J.S. Bach's son Johann Christoph Friedrich Bach wrote a cantata for a four-part choir, Wachet auf, ruft uns die Stimme. In Felix Mendelssohn's monumental St. Paul oratorio, Wachet auf features prominently as a chorale and also as the main theme of the overture. In 1900, Max Reger composed a fantasia for organ on "Wachet auf, ruft uns die Stimme" as the second of Max Reger, Op. 52. He composed a chorale prelude as No. 41 of his 52 Chorale Preludes, Op. 67 in 1902. Herbert Blendinger also wrote a chorale fantasia on the hymn, Op. 49. Hugo Distler composed an organ partita based on the hymn in 1935 (Op. 8/2).

Sources: Bach Digital; BGA; Zahn; BCML discussions on BCW; Charles Sanford Terry's Bach Chorals books Photos from Gottfried Vopelius: Neu Leipziger Gesangbuch (Vopelius 1682) & Christian Friedrich Witt: Psalmodia Sacra, Oder: Andächtige und schöne Gesänge� (Gotha Hymnal, 1715), were taken from digital copies of the books downloaded from Bayerische Staatsbibliothek München. These copies are Out of copyright - non commercial re-use (Europeana Rights). Prepared by Aryeh Oron (October 2018)

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Source: https://www.bach-cantatas.com/CM/Z8405.htm